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13 Songs, 49 Minutes
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- Brantley Gilbert Biography by Steve Leggett A hard-rocking Georgia native who merges the themes and attitude of outlaw country with the heartland sounds of a John Mellencamp or Bruce Springsteen.
- Aug 15, 2017 - The studio albums are available in limited quantities via Amazon. 1 on both the all-genre Billboard Top 200 Albums chart and the Billboard. Brantley Gilbert, Carly Pearce, Cassadee Pope & More to Take Part in ACM's.
EDITORS’ NOTES
It could be argued that had Jason Aldean not landed some chart-toppers with songs written by Brantley Gilbert, the Georgia native might not have had the chance to record this debut album. But after listening to A Modern Day Prodigal Son, it can be argued that talent this raw rarely flies under the radar for long. Right from the opening tune, “Freshman Year,” it’s obvious that Gilbert isn’t as interested in playing by Nashville’s rules as he is in writing the kinds of catchy country songs that fit his buttery tenor like a worked-in pair of blue jeans. “What’s Left of a Small Town” is white-picket-fence twang at its best, replete with a nostalgic narrative incorporating the bittersweet nod to the inevitability of change. “G.R.I.T.S.” (an acronym for Girls Raised in the South) reveals Gilbert’s admiration for strong women. The album’s title track is a gripping ballad where Gilbert’s confessional lyrics are accompanied by a less-is-more backing of guitar and piano, giving the song a stark feel and a clear window into the man’s vulnerability.
EDITORS’ NOTES
It could be argued that had Jason Aldean not landed some chart-toppers with songs written by Brantley Gilbert, the Georgia native might not have had the chance to record this debut album. But after listening to A Modern Day Prodigal Son, it can be argued that talent this raw rarely flies under the radar for long. Right from the opening tune, “Freshman Year,” it’s obvious that Gilbert isn’t as interested in playing by Nashville’s rules as he is in writing the kinds of catchy country songs that fit his buttery tenor like a worked-in pair of blue jeans. “What’s Left of a Small Town” is white-picket-fence twang at its best, replete with a nostalgic narrative incorporating the bittersweet nod to the inevitability of change. “G.R.I.T.S.” (an acronym for Girls Raised in the South) reveals Gilbert’s admiration for strong women. The album’s title track is a gripping ballad where Gilbert’s confessional lyrics are accompanied by a less-is-more backing of guitar and piano, giving the song a stark feel and a clear window into the man’s vulnerability.
TITLE | TIME |
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- 13 Songs, 49 Minutes
- Released: Oct 27, 2009
- ℗ 2009 Brantley Gilbert
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16 Songs, 1 Hour 3 Minutes Salesforce admin udemy download torrent.
Chris Young Discography
EDITORS’ NOTES
“Hell On Wheels” kickstarts the album with snarling guitar and backwoods banjo accompanying Gilbert’s smoky rasp. “Bending the Rules and Breaking the Law” aims for outlaw anthem status as does the simmering “Country Must Be Country Wide,” where he name-checks “Cash, Hank, Willie and Waylon.” “Hell On an Angel” is an obvious standout that plays like a tougher Bon Jovi.
Florida Georgia Line Discography
EDITORS’ NOTES
“Hell On Wheels” kickstarts the album with snarling guitar and backwoods banjo accompanying Gilbert’s smoky rasp. “Bending the Rules and Breaking the Law” aims for outlaw anthem status as does the simmering “Country Must Be Country Wide,” where he name-checks “Cash, Hank, Willie and Waylon.” “Hell On an Angel” is an obvious standout that plays like a tougher Bon Jovi.
TITLE | TIME |
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16 |
- 16 Songs, 1 Hour 3 Minutes
- Released: Mar 16, 2010
- ℗ 2011 Brantley Gilbert, The Valory Music Co., LLC
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